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Tom Piccirilli wrote:Although shared worlds are pretty common in SF/F they're much less so in crime, and probably for a reason: by and large crime fiction is much more character-driven. Authors might feel a little too confined when using a single main character instead of inventing their own.
I suggest that you don't use a recurring protagonist but rather set up the series to take place in a particular town, or corner of town, with a couple of notable settings (a particular bar, police station, etc.) and maybe a few situations (there's two main mobs trying to take over the town, the mayor was recently assassinated, the police chief was indicted). Now authors can either choose to focus in on those elements or not, and if they do they can use them to whatever extent they like as background.
The stories will still be connected and a shared world can still be built, but you'll have much more inclusive instead of exclusive story parameters.
Tom Piccirilli wrote:The trouble is that fun pulpy sentences like that get old fast. There was an anthology a while back, edited by Ed Gorman I believe called INVITATION TO MURDER where all the stories began with the concept that someone walks into a room and finds a dead woman on the floor.
TRIAGE, featuring novellas from Richard Laymon, Edward Lee, and Jack Ketchum, all started with the same premise of a man walking into a place and shooting up the place.

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